Photo credit

Italian Vogue Shows Blacks Starving for Images

Tyra Banks, photograph by Steven Meisel
Sessilee Lopez, photograph by Steven Meisel
Liya Kebede, photograph by Steven Meisel
Toccara Jones, photograph by Steven Meisel
Iman, photograph by Steven Meisel
On July 1, a black friend went into a New York City magazine store and, unprompted, was asked if he was seeking "the diversity issue" of Italian Vogue. "Everyone has been asking for it," the clerk promptly explained. This incident isn't supposed to be a story of racial profiling, but an illustration of the significance of an all-black issue of Vogue within the fashion-aware community, particularly in New York and among blacks.

The New York Times's Cathy Horyn has written poignantly about the issue, interviewing the main photographer, Steven Meisel, as well as Italian Vogue's editor-in-chief, Franca Sozzani. Asked about the genesis of such unprecedented coverage, Sozzani says that she was inspired as much by seeing black girls on the streets of New York as by Barack Obama's stunning rise and visibility. Meanwhile, the blogs have been burning with gleeful anticipation, but they reached a fever pitch after the image of a turban-clad Tyra Banks was leaked along with four different covers for the issue. I also wrote a profile on some black talents working in the industry, so we've been busy chronicling coverage of our own inclusion in the issue (see here).

We hit up all the international magazine stores in New York after word spread that the issue had landed Stateside, but time and again we were told that it was already sold out. One store clerk advised that we "come early" the next day and another vendor explained that he had copies on hold for 40 of his loyal customers. When we finally scored an issue at midnight on Friday at Universal News on 14th street, Amir, the clerk, informed us that 400 people had already tried to buy one earlier that day. After our visit he had only four more on the shelves and was soon down to three after Nekesha Batchoukou, a modelesque black woman, dashed up to the door and demanded a copy before the gates went down. "I've been searching for one since last week," she told us breathlessly.

Now that the edition is out, the impact surpasses the beautiful photos of models like Sessilee Lopez, Iman, Tyra Banks, Naomi Campbell, Chanel Iman, Yasmine Warsame, Toccara Jones, Liya Kebede, Jourdan Dunn and Alek Wek. It's a touching testament to blacks being starved of seeing their images in the prominent pages of fashion magazines. For now, everyone can quench their thirst by securing a copy of this breakthrough issue as a memento to the beginning (we all hope) of a more representative fashion industry.

The editorial is all in Italian so we'll leave it to you to draw your own conclusions about the coverage of Essence and Ebony magazines, the essay by Robin Givhan, and the interview with Bethann Hardison. And yet, before getting to these "black stories," all of the advertising—with the exception of a Naomi-endorsed campaign for Pinko—featured only white models. Therein lies the statement behind Givhan's apt inquiry: "What will happen next month?"

—Jason Campbell

I am waiting with

I am waiting with anticipation. As a Latina, I feel this issue has as much relevancy to my experience. And although Robin's question is poignant, it takes steps. Who would ever imagine that the US was ready for a black presidential candidate? These steps will make history.

I would like to see.....

....an issue that doesn't focus on race, but rather an issue that incorporates models of all ethnic groups on a regular basis. As someone who has worked in the industry and happens to be of Trinidadian descent the lack of integration is bothersome. It's time to view all as equal and to not segregate anyone from any of the Vogue issues. Dont get me wrong I'm not unhappy about this issue, I'm frustrated about the potential statement it could make.

Diversity Issue?

To start out, I am going to say this: I think this issue of Italian Vogue is not a step in the right direction. This all black issue of Italian Vogue is not about diversity. Diversity mean, indicating variety and celebration of it. This issue only has black models in editorials. how is that diversity? What we need to concentrate on is getting a mix of ALL women from all cultures around the world in the presentation of beauty in editorial and advertising. What's next, an all asian Italian Vogue? What I want to see is a more hot girls, in all colors gracing the magazines and runways, and movies screens. Talent comes in all colors. Not specific issues, with all one color. It saddens me. It's like black history month in febuary. are we only supposed to think about and honor the talents and contributions of blacks one month of the year? NO,let's think of these people all year. And, let's not look to white editors to comfirm that we are beautiful and chic and sophisticated. Let's live our lives so we have a stronger sense of ourselves. What it seems to me is this: a lot of blacks are desparetely seeking re-assurance that they are beautiful, when it should come from within. I do not hear asian women complaining why are they not seen magazines more. They are GORGEOUS, and have style everyday in their lives and world and keep pressing on. Can black women do that please? Look within for your personal beauty instead of the pages of magazines. All they want to do is sell you something anyway. and if you do not like what you see, do not buy it. Create your own look and rejoice in your personal freedom and expression of your own exterior beauty reflecting the inner. p.s. the patti wilson story in the issue rocks!! you GO miss patti!! I am still picking up my jaw off the floor after turning those pages yesterday...

Brilliant Idea

In response to Troy. Growing up a little black girl in the South I'm very excited to see this issue. The email I received said it wasn't supposed to be a "diversity" issue. It is a BLACK issue. When 99% of the issues are white, I don't see how letting black people have one issue is going to upset the delicate balance. I agree that there does need to be more of everyone in every issue but this is a special thing and I can't wait for it.

We should demand more than just "one issue" of diversity

I would like to see more issues dedicated to diversity. And just because one writer was inspired by Obama's "stunning rise," does not mean that one issue suffices for the turnaround diversity of Italian Vogue. If it was more diverse, then it wouldn't embody Italian Vogue.

We should demand more than just "one issue" of diversity

I would like to see more issues dedicated to diversity. And just because one writer was inspired by Obama's "stunning rise," does not mean that one issue suffices for the turnaround diversity of Italian Vogue. If it was more diverse, then it wouldn't embody Italian Vogue.

Hardly Starving

I'm Afro-Cuban and I was a model in Paris for years. I was told by a very famous photographer that although I was black, I wasn't black enough and that I wouldn't work because of it. I think he meant to say dark but those were his words not mine. I did work but sadly not a lot. What woman of color works alot in fashion as a model? It's very sad that the business made me feel that I could have done better if I were darker or someone else all together different. I'm not the type of person that needs to or does identify with one group in order to have a sense of self because I think that beauty is beauty no matter what skin color you're wearing. It would just be nice to be included in the mix more often so that possibly all shades of the color rainbow can get an opportunity to work. The images are beautiful and moving but somehow I am left unsatisfied and unrepresented.

does anyone remember...

... the pullout (i think it was a pullout) ad/magazine that diesel did in the 90's whose theme was something to the effect of "if the world was Africa-centric"? There was a map of the world that was upside down and stretched in different ways than we're used to seeing, reflecting Africa as the center of the world and everything was mapped out from that perspective. The 'articles' and 'ads' were all based on the idea that the heart of modern culture and commerce were based in Africa as if Europe and America had never dominated. It was pretty amazing and thoroughly thought through. It was thought provoking and visually stunning and beautiful. I still remember it and have talked about it.. and remember looking at it with wide eyes with my imagination racing with thoughts of how what we see, view and and how we live culturally could be so different based on the idea of an alternate history.

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